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Overall, his everything-but-the-kitchen-sink approach on the album hinders much more than it helps, and at the end of the day we are left with about five tracks that are thoroughly entertaining and worthy of a listen. It seems Ab-Soul is better served as a featured artist until his focus can be honed enough provide a consistent album.
#Ab soul albums and mixtapes mac#
"Stigmata" finds Ab-Soul and Action Bronson hitting a lyrical sweet spot over a creative and infectious beat, and Mac Miller's monotone delivery that serves as the chorus on "Hunnid Stax" works better than what seems logically possible. Though listeners may find a metric ton of criticism to attribute to These Days., there are some songs that work exponentially better. What's worse is that the majority of tracks that Ab-Soul does not have featured artists on see him struggling to create anything memorable (or even entertaining, for that matter), with "Dub Sac" and "Sapiosexual" as firm of proof of that. "World Runners" is about two minutes too long on top of a lackadaisical appearance by Lupe Fiasco, and precisely the same issues can be leveled at the next track "Nevermind That" (feat. To start off, I'll let ya know what I think. Eight of the fifteen songs present are five minutes or more, and the album drags exponentially because of it. Hey there, let me know what your favorite Ab-Soul album is (not mixtape). Put plainly, this does not feel like a fully-realized album in any way, instead seeming like a hastily slapped-together mixtape that includes tracks that just should not have made the cut. However, the outro doesn't add anything to the end product, and it also makes the track itself sound disjointed. The song itself is very well done, even though Soul ends up being a little heavy-handed lyrically here. It ends up creating a segmented and frustrating listen, and "Tree of Life" demonstrates this beautifully. While Ab-Soul’s strength is obviously his lyrical presence, on tracks like A Rebellion and Empathy, he knows when to step aside and let the amazing production take center stage. As charismatic as Ab-Soul can be, it's mind-numbing how quickly he can change from socially conscious to a drug-addled party rapper. But tracks like the Schoolboy featured, SOPA and Showin’ Love are pretty average tracks that keep Control System a notch below the year’s best albums (Killer Mike, El-P, and Nas). I haven't tried to give an album more time to grow on me in quite awhile, as tracks like "Gods Reign" lead me to believe that there has to be something that I'm missing on abysmal songs such as "Twact". Ab-Soul returns with his new single 'Dangerookipawaa Freestyle' on Anthony 'Top Dawg' Tiffith's birthday. Longterm Mentality was released in 2011, and charted at 93 on the U.S. It's more the idea that it's the most wildly inconsistent album of 2014 thus far. Ab-Soul went on to release four singles to promote his second album Longterm Mentality, all the while featuring guest verses from Black Hippies Kendrick Lamar and Schoolboy Q. is probably the most depressing release this year for me not necessarily because of the subject matter, or even the lyrical content that Ab-Soul displays throughout the album. It is now a word to generally describe full-length albums released for free, which is the modern form of mixtape that was made a popular following by 50 Cent and his group G-Unit in the early 2000s, sometimes containing all original music, other times composed of freestyles and remixes of popular tracks.Review Summary: Overall, Ab-Soul's everything-but-the-kitchen-sink approach on the album hinders much more than it helps, and at the end of the day we are left with about five tracks that are thoroughly entertaining and worthy of a listen. In the hip hop scene, mix tape is often displayed as a single term mixtape. Also since the 1990s, it describes releases used to promote one or more new artists, or as a pre-release by more established artists to promote upcoming "official" albums. Blend tapes became increasingly popular by the mid-1990s, and fans increasingly looked for exclusive tracks and freestyles on the tapes. Ron G moved the mixtape forward in the early 1990s by blending R&B a cappellas with hip hop beats (known as "blends"). Alba Santos - Ritmo & Soul Mixtape 2010 by Alba Santos, released 08 March 20101. In the mid-1980s, DJs, such as Brucie B, began recording their live music and selling their own mixtapes, which was soon followed by other DJs such as Kid Capri and Doo Wop. (who later became known as Whiz Kid) and DJ Super V would create personalized House Tapes which would eventually circulate throughout New York City. In the late 70's into the early 80's DJs began recording mixtapes out of their homes, referring to them as House Tapes. As more tapes became available, they began to be collected and traded by fans. Hip hop mixtapes first appeared in the mid-1970s in New York City, featuring artists such as Kool Herc and Afrika Bambaataa. In hip hop's earliest days, the music only existed in live form, and the music was spread via tapes of parties and shows.